“The poems in Shawn Pavey’s Nobody Steals the Towels From a Motel 6 examine the seasons in the author’s life, broken down into days and then into moments, whether it’s a warm Kansas City wind, drinking on 39th Street, or a moment of quiet contemplation filled with the uncertainty that comes with just being alive in the 21st century. Pavey’s poems are straight and honest, taking the time to just live now and put it all down on paper, something that the rest of us usually put off until tomorrow. His words are as spare as bone, leaving the wind and taking nothing for granted.” John Dorsey, author of Appalachian Frankenstein
“Shawn Pavey’s poems capture the longing we feel when we lift the needle from a record album. In the turntable’s wishwiswish between Stratocaster riffs, there lies hope and resignation, Bruce Springsteen and hungry cats, maple leaves and ‘plastic blasted into space.’ Pavey’s poems give voice to our hunger for life, a medieval song heard through 21st Century earbuds.” Al Ortolani, author of Francis Shoots Pool at Chubb’s Bar and Waving Mustard in Surrender.
“In Nobody Steals the Towels From a Motel 6, I was reminded of how a gifted poet like Shawn Pavey doesn’t try to convince his readers to have things we don’t need but to slyly persuade us to open our eyes to the presence of the treasure of those things we cannot live without. In this book we have love, surprise, death, angels and more pictured for us in a flow of language both ordinary and extraordinary gracing us with a dancing vocabulary’s most lyrical and unforgettable choreography.” Chuck Sullivan, author of Zen Matchbook and Alphabet of Grace.
That unrestrained spire riding
Olympic flames of science and prayer
landed two men on land
never before bearing a weight of man
all those miles above the very sky itself:
Apollo’s flaming chariot bearing no gods
but men armored in suits crafted by hands
that never escaped the earth
except only in dreams or in death.
And wasn’t death the risk
that three faced before,
that fourteen others faced after,
that escaping the surly bonds of this mass
on which all of us must always walk
save the twelve who strolled on lunar soil
somehow defies nature’s numerical sense
of the unwritten laws even Icarus
could not escape.
I was only two when
that single white needle of 36 stories
but so much more than even that
stuck ghostly in my brain
with black and white memory
propelling me later to view
the silver face of the moon
through a white cardboard telescope
lying in summer nights on Colorado lawn
praying the deepest prayer a ten year-old could muster
to get a closer look,
oh, please God, let it be so
to only drift later into dreams
of silver darts shooting past the sky,
dreams as sacred as prayers
that even now I pray harder than any boy ever could.